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I met Stephen Dunn, the showrunner, in London. I just saw the first four episodes of “Queer as Folk.”
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You’ve had a big year, with two TV shows coming out within a few months of each other.
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But that’s scary, how vulnerable you could be.” “Thank God I turned 65 and went on Medicare and I have a nest egg. “It’s so filled with shame if you’re not working or you’re not wanted,” she says. citizen in 2020, and she lost her health insurance from SAG-AFTRA during the pandemic after not working for a stretch of time.Īs a result, Cattrall has decided to honor The Actors Fund, the nonprofit that offers financial and health assistance to performers and behind-the-scenes crew, during Variety’s Power of Women dinner on May 5. She speaks in a graceful timbre, evocative of old-glamour Hollywood, as she recalls some of her favorite stage performances, including Shakespeare’s “Antony and Cleopatra.” She reveals that she became a U.S.
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A self-described serial monogamist, she recently celebrated her six-year anniversary with her partner Russell Thomas. In person, Cattrall - who was born in Liverpool, England, and grew up in British Columbia - doesn’t sound or move like Samantha. And then there’s this: “When she would shoot sex scenes, I would always tell her, ‘Wear your high heels, so when your legs went up in the air, we see the shoes,’” says Patricia Field, the show’s costume designer.
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Not only did Cattrall own the character, but she changed culture, making Samantha a sex-positive aspirational figure for a generation of women. “Now it’s impossible to imagine the show without her.” “She wasn’t interested in a TV series,” Star says. Coming from a career in movies (“Mannequin,” “Police Academy”), she turned it down three times before finally accepting. “I think the one thing I could have never guessed going into the role of Samantha in ‘Sex and the City’ was just how funny Kim could be,” says Darren Star, who created the show and offered the part to Cattrall. The way forward seemed clear.”īack when “Sex and the City” premiered on HBO in 1998, Samantha was something that TV hadn’t seen before: a financially empowered heroine who proudly refused to strive for marriage or children and relished sex as a man would.
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“I also didn’t want to compromise what the show was to me. “It’s a great wisdom to know when enough is enough,” Cattrall says. In a wide-ranging interview for Variety’s Power of Women issue, the 65-year-old actor, who says she hasn’t watched “And Just Like That …,” shared her thoughts on why exactly she walked away from one of TV’s biggest phenomena. Since the premiere of “And Just Like That …,” Cattrall hasn’t talked about “Sex and the City” in public, not even to respond to rumors that she could return as Samantha. To deal with the past, a Cattrall-less “And Just Like That …” invented a subplot that depicted the dissolution of Carrie and Samantha’s friendship off screen, and Samantha - who’d apparently abandoned New York for London - was reincarnated in the form of text messages to Carrie, written in her character’s voice.Īt least, that’s one side of the story. Big’s sudden death and Carrie’s grieving process - provided the seeds of inspiration for “And Just Like That …” But not everything made it into the show: In the film that didn’t happen, Samantha’s storyline reportedly revolved around her receiving unwanted “dick pics” from Brady, Miranda’s 14-year-old son.Īnd so, after a public breakup, the infamous quartet of “Sex and the City” became a triumvirate, with some new friends. Chunks of that story - which centered on Mr. Of course, Cattrall had made it abundantly clear in interviews that she was done playing Samantha, and in 2017 she turned down a script for the third “Sex and the City” movie.